Dazzle ships: The most eccentric daubings in the history of camouflage

The Japanese House at the Barbican – exhibition review

Icon 169: The golden age of transport, Faye Toogood, Farshid Moussavi and the legacy of Bang & Olufsen

Reyner Banham: America – exhibition review

Studio Temp rebrands the Italian regions

The World’s Most Extraordinary Homes on Netflix

Fabric: ‘Last year’s troubles made the club into a symbol of the UK’s beleaguered night-time economy’

Review – Mies van der Rohe + James Stirling: Circling the Square at the RIBA

Icon 168: Mad Architects, Ryue Nishizawa, the end of work and the Italian new wave

Rethinking Planet Mars

Hugh Pearman: ‘It’s time to set neoclassical architects loose on the Venice Architecture Biennale’

Design Indaba: ‘We face two groups: those we’re trying to empower and those who can afford the experience’

Obsession: The scarf

Design Indaba conference 2017: ‘A huge range of talent, and the majority come up trumps’

Icon 167: Ikea, Tom Dixon, Lee Broom, Nika Zupanc, Färg & Blanche and Herzog & de Meuron in Milan

Between pedagogy and practice: School/Work at the Cass

A new jersey for FC Bayern Munich

Herman Miller’s Aeron chair

International Women’s Day: 18 interviews with 18 women

Book review – Lost Futures: The Disappearing Architecture of Post-War Britain by Owen Hopkins

The proliferation of infographics reveals a deep crisis in news journalism