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Last Futures by Douglas Murphy

Opinion
07.03.16

New issue – Icon 154: Travel special

Opinion
04.03.16

Johannesburg: Arrival city

Opinion
24.02.16

Highlights: Design Indaba

Opinion
23.02.16

The Ministry of Nostalgia

Opinion
22.02.16

Rethink: IKEA logo

Opinion
09.02.16

When architecture becomes art

Opinion
05.02.16

Turncoats: Ornament is Crime is Crime

Opinion
03.02.16

New issue – Icon 153: Scandinavian special

Opinion
01.02.16

ISIS magazine: ‘Dabiq is not only news – it is public relations’

Opinion
25.01.16

Events for your diary

Opinion
25.01.16

Richard Rogers: We forget the brutality of bad design at our peril

Opinion
21.01.16

Criminals worry about retirement – just like you!

Opinion
21.01.16

Brands give us something to believe in

Opinion
15.01.16

New issue – Icon 152: Ones to watch

Opinion
08.01.16

Comfort Zones

Opinion
08.01.16

Paula Scher: Chain mailing and boredom

Opinion
07.01.16

Paul Shepheard: Playboy bunnies and nose-diving jets

Opinion
06.01.16

Shenzhen Biennale

Opinion
22.12.15

Prototypes and Experiments VIII

Opinion
22.12.15

Cars and our urban future

Opinion
18.12.15

Editor's choice

Vitra Water Garden

‘We have a moral obligation to experiment’: Bas Smets unveils Vitra’s new Water Garden

ICON 220 : Autumn/Winter 2026

HIMACS Terrazzo Designs Receive Red Dot Design Award 2026

Wood for the Trees: AHEC brings an exploration of forests to Shoreditch Design Week

StefaniaZanetti-PulseHunger-srgbweb- 4 1

‘My approach is intimate’: Stefania Zanetti on photography, food and the body

‘Good curation is not about filling a space with statement objects’: Pavel Klimczak on Monologue’s new showroom

Open House Festival opens hundreds of London buildings this September

ND Selects Heads East

McLaren looks to an unfinished past to design its future




Architects

Vitra Water Garden

‘We have a moral obligation to experiment’: Bas Smets unveils Vitra’s new Water Garden

Open House Festival opens hundreds of London buildings this September

The contemporary Magdalen House in Quebec brings a new perspective to coastal architecture

A Douro winery by Atelier Sérgio Rebelo connects design with wine traditions

119633-full_5748-1_119633_sc_v2com

This Copenhagen park nurtures climate resilience and neighbourhood life

Vipp brings Scandinavian hospitality to Upstate New York

Iittala brings iconic Aalto Vase into public architecture for 3daysofdesign

Snøhetta and Annabelle Schneider turn USM’s Modular System into pavilion

SANAA connects museum and library in new Taichung complex


More

Wood for the Trees: AHEC brings an exploration of forests to Shoreditch Design Week

StefaniaZanetti-PulseHunger-srgbweb- 4 1

‘My approach is intimate’: Stefania Zanetti on photography, food and the body

‘Good curation is not about filling a space with statement objects’: Pavel Klimczak on Monologue’s new showroom

ND Selects Heads East

McLaren looks to an unfinished past to design its future

Shoreditch Design Week: London Design Festival’s largest district announces its headliners

Bobble cropped

ICON Picks: 10 best new-season design and lifestyle launches

‘We need to talk more about trees’: David Venables of AHEC continues his quest for the preservation of forests and the people behind them

Finn Juhl and Sea New York’s collaboration finds a common thread



Videos

Vitra Water Garden

‘We have a moral obligation to experiment’: Bas Smets unveils Vitra’s new Water Garden

ICON 220 : Autumn/Winter 2026

HIMACS Terrazzo Designs Receive Red Dot Design Award 2026

Wood for the Trees: AHEC brings an exploration of forests to Shoreditch Design Week

StefaniaZanetti-PulseHunger-srgbweb- 4 1

‘My approach is intimate’: Stefania Zanetti on photography, food and the body

‘Good curation is not about filling a space with statement objects’: Pavel Klimczak on Monologue’s new showroom

Open House Festival opens hundreds of London buildings this September

ND Selects Heads East

McLaren looks to an unfinished past to design its future