What’s next for Danish design?

Cambodia’s modernism is a poignant reminder of the post-independence era

Victor Castanera

Design Miami/Basel: ‘The insistent marketing of limited-edition design art has proven quite fruitful’

After Grenfell

The State of Illinois Center by Helmut Jahn: ‘It is about as subtle as an exploding meteorite’

Husqvarna chainsaw: ‘The perfect product for a weapons manufacturer to produce in times of peace’

Adam Guy Blencowe: ‘It’s important that furniture has its own character, depending on where it is manufactured’

London Design Biennale: ‘We hope to inspire a diverse, global commentary on our emotionally turbulent times’

‘There is something horribly Victorian about Deliveroo’

Samy Rio: ‘There is a lot of similarity in the shapes the ceramic and glass craftsmen achieve’

Dazzle ships: The most eccentric daubings in the history of camouflage

The Coolicon story

Mosa presents μ – A floor tile series designed to interact with space and time

A look back at Clerkenwell Design Week

Digital baroque: The British architects combining the digital and the historical

Zaven: ‘When we design something, we like to give it meaning and a relation to something else.’

Q&A: Fora’s Katrina Larkin

‘They went from darlings of the underground to a global mega-band’ – Pink Floyd exhibition at the V&A

Preview: Clerkenwell Design Week

Doshi Levien: “I think people enjoy our process, even if they don’t know it”