While many designers strive to develop an immediately identifiable aesthetic, British designers and co-founders of PearsonLloyd, Tom Lloyd and Luke Pearson, have taken a different
There’s more than one Richard Rogers. There’s Baron Rogers of Riverside, peer of the realm, Richard Rogers, outspoken critic of royal patronage and Richard Rogers,
From British Circus Life, by John Hinde, 1948 (image: National Media Museum) The organisation’s visual archive raises intriguing questions about the line between social study
Instant City, Santa Monica and San Diego Freeway Intersection, by Ron Herron (Archigram), 1968 (image: Courtesy of Simon Herron) Lyra Kilston picks over the fascinating
Installation image of Room 11, by Mario Wagner (image: Victoria and Albert Museum, London) Graphic designers and artists illustrate a fictional text off the page
image: Florian Kleineffenn AWP’s exhibition shows how the hours of darkness have become an urban space in their own right. Most illuminating, says Sam Jacob
Cabanon, Roquebrune-Cap-Martin, 1951; recreation of the interior (image: Jonathan Muziker) MoMA presents a compelling case, says Claire Barliant, for seeing Le Corbusier as a lover,
Ted Carter in his prefab in Catford, January 2013 (image: Elisabeth Blanchet) Elisabeth Blanchet offers a poignant study of the emergency homes that became part
George Widener’s futuristic Megalopolis (image: Megalopolis 21. 2005, George Widener, Courtesy of the Hayward Gallery, London) The painstaking, at times obsessive, work of self-taught artists
Glenn Adamson’s latest book about craft may win over even the staunchest of crafts-haters, says craft-sceptic Edwin Heathcote I find craft pretty uninteresting. I dislike
