The petrol years: Britain’s golden age of transport

Lord’s Cricket Ground: ‘For all its credentials, the Warner stand lacks a certain finesse’

Building fashion: ‘I don’t believe we will use scissors for the rest of human history’

Ole Scheeren: “My position towards the world is not fearful”

Nigel Coates on the LSA: ‘We don’t claim our approach is better, but that it’s an alternative’

Moore space: Henry Moore Studios & Gardens extension

Rohan Silva: ‘We curate the mix of people and stir the pot’

LSA summer show 2017: First set of graduates hint at new institution’s future direction

Reluctant exhibitionist: Musée d’arts à Nantes by Stanton Williams

Maggie’s Centre, Oldham: ‘Alex de Rijke is right to be proud of this project’

British Council launches open call for 2018 Venice Architecture Biennale

AA summer show 2017: Squeezed algae, immersive film and far-off galaxies

Montpellier train station: ‘You see the city and the sea, and understand the building as a bridge between the two’

Juergen Teller’s studio by 6a Architects: ‘There is nowhere that is not a place to take photographs’

Ore inspired: Peter Zumthor’s zinc mine museum in Norway

Grafton Architects: ‘We see architecture as modified earth’

Gaudí: An uncommon architect

Mole Architects’ boat-inspired holiday retreat for developer Roger Zogolovitch

Tom Dyckhoff: “How successful is a city where freedom is only available to those with money to invest?”

Herzog & de Meuron launches One Park Drive in Canary Wharf

David Adjaye on Washington DC’s Smithsonian National Museum of African American History and Culture