An elaborate steel structure supports the canopies (Images: Victoria Murillo/IstmoPhoto.com) Frank Gehry marks his first project in Latin America with a multicoloured collision of canopies
The facade is clad in green-blue acid-etched glass (images: Paul Riddle) Steven Holl’s first UK building stares down one of the country’s finest. But has
The form was developed in response to right-to-light restrictions (image: Dennis Gilbert/View Images) O’Donnell + Tuomey reminds us that London is a “city of bricks” with
A cantilever forms one arm of a cross motif on the church’s western facade Nameless Architecture’s quietly powerful church in Seoul explores the symbolic potential
The building sits next to UN Studio’s Erasmus bridge (Image: Ossip van Duivenbode/OMA) Rotterdam is not a pretty city. Almost completely flattened during the Second
2013 Icon Awards winner: Rijksmuseum, Interior of the Year
Spanish firm Cruz y Ortiz’s restoration of the Netherland’s largest museum shows the grandeur of 19th-century romanticism in a new light Since Amsterdam’s Rijksmuseum reopened
2013 Icon Awards winner: Robbrecht and Daem, Architecture Practice of the Year
Amid the showiness of contemporary high-profile architecture, this Ghent-based practice stands out for its thoughtful, sensitive and reticent approach to existing buildings and its original
(image: Jonas Klock) Ole Scheeren and OMA have teamed up to design a luxury residential block in Singapore that borrows aesthetically from post-war housing. The
KitchenAid introduces Luminaire, the latest expression of its Design Series, where an enduring kitchen icon becomes a study in light, material and texture
KitchenAid introduces Luminaire, the latest expression of its Design Series, where an enduring kitchen icon becomes a study in light, material and texture
KitchenAid introduces Luminaire, the latest expression of its Design Series, where an enduring kitchen icon becomes a study in light, material and texture
