Studio Small has updated Frank Hornby’s beloved toy for the digital age, so that you can create your own designs at the touch of a button.

The architect’s esoteric collection of objects plays past against present, with ancient Greek pots alongside Sex Pistols magazines. It is a theme she explores in many of her buildings, from Selfridges Birmingham (Icon’s first cover) to the new V&A courtyard.

Frank Gehry's second Maggie’s Centre is an intimate building inspired by Chinese design, overlooking gardens created by Lily Jencks.

Paul Bush’s film about a city that rises endlessly into the future is visually ingenious, but too beautiful to be dystopian, says Fatema Ahmed.

In our Film issue, we watch The Competition, a gripping documentary about Nouvel, Gehry, Hadid, Perrault and Foster bidding to build a new national museum of art in Andorra. We also talk to Tomas Koolhaas who's making REM, a film about his father's work. And Owen Hatherley examines how London's architecture has been portrayed by auteurs from abroad, from François Truffaut to Alfonso Cuarón.

The architect of the 2013 Serpentine Pavilion talks to Icon about the qualities of clouds, the integration of landscapes and buildings and his quest for serendipity.

In the mid 1970s, the artist Donald Judd moved from New York to Marfa and remodelled the remote Texas town according to his minimalist aesthetic. We visit the art oasis that has influenced and inspired a new generation of architects and designers.

The winner of this year’s Young Architect’s Program at MoMA PS1, Design Miami/Basel, cityscapes at the Soane Museum, the London Festival of Architecture, LS Lowry at Tate Britain, Peter Zumthor at LACMA, Ken Price’s sculptures and drawings, and homes in contemporary art.

A high-gabled glass and timber market hall renews the Belgian city’s centre by bringing back a sense of its bustling medieval past

Italian collective Breaking the Mould’s collaboration with Salviati, and the resulting exhibition at London’s Aram Gallery, is a bid to revive the fortunes of glass.

To celebrate our first decade in print, we're offering you the chance to win one of six classic chairs during Clerkenwell Design Week. All you have to do is doodle around a silhouette of the chair you want, putting it into an imaginary context, and drop it into one of the special Icon boxes at CDW. To find out more:

Sukhdev Sandhu visits the first museum exhibition by Metahaven, the studio that branded Wikileaks.