Hugh Broughton’s design in Hertfordshire manages to be both sensitive to the sculptor’s legacy and surprisingly un-Moore-like

Herzog & de Meuron’s extension to the London contemporary art gallery opens this week – view images of the building here and follow us on social media today for coverage from inside

It’s all about the facade at this New Zealand art gallery, but that doesn’t make it superficial. Its value lies in what it reflects – and what it conceals, says Edwin Heathcote

Holidays after the Fall, an exhibition in Vienna, examines the vacation complexes built along the Adriatic coast in the 60s and 70s – and their fate after the collapse of Yugoslavia

Rem Koolhaas mixes preservation and provocation in Moscow, turning a Soviet-era workers’ canteen into a contemporary art space, says Edwin Heathcote

Despite its gold cladding, the Rem Koolhaas's latest building in Milan is no temple of ostentatious wealth, says Andrew Ayers. With its galleries housed around a converted distillery, it marks a deliberate shift for OMA away from huge statement buildings towards the preservation of existing spaces and “collisions” between old and new

MUMA has opened up Manchester’s brooding Edwardian gallery with two new wings, gardens and a glazed walkway, securing the title of Art Fund Museum of the Year. John Jervis went to take a look around

The Milanese gallery will open its warehouse of design to the public at the city's furniture fair this month

As the British general election draws closer, an exhibition at the V&A looks at the role of art, architecture and design in public life

For China's largest private art museum, the architecture practice has created a cathedral-like space with works hung directly on vaulted concrete walls

It became famous for pop-ups, but with new projects such as the barn-like Yardhouse studio and a recent commission for a £2-million art gallery in a converted bathhouse, the east London collective is hitting the big time, says Oliver Wainwright

The meeting of two creators of luxury objects in the Bois de Boulogne in Paris has resulted in a suitably extravagant, and sometimes exquisite, art gallery

International gallery Hauser & Wirth has made its name attracting the metropolitan super-rich of New York, London and Zurich. So why is its new gallery on a farm in Somerset?

Tadao Ando's new galleries for the Clark Art Institute are a masterclass in the art of negotiation, resolving the site's clash of architectural styles while quietly folding into the New England landscape, says Edwin Heathcote

Moreau Kusunoki, winners of the prestigious commission, are on the cover of our new issue. This piece from last year looked at arguments for and against the controversial project

Thomas Heatherwick has unveiled plans to convert a giant concrete grain silo on the Cape Town waterfront into the continent’s first museum devoted to contemporary African art. It is already proving to be one of the British designer’s most heartfelt projects, says Christopher Turner

Whether they are fitting out a Savile Row shop or adapting a grade I-listed house, London duo 6a Architects take a radical approach to history and conservation, cherry-picking elements of the past to weave into new narratives

Hadid, who recently opened a huge shopping complex in Beijing and launched a sculptural shoe, has had a prolific year. Brand Zaha is now a formidable, swooshing global force.

Sou Fujimoto’s structure in Kensington Gardens leaves us yearning for more permanent realisations of his utopian architectural vision

David Chipperfield’s extension to an art museum designed by Cass Gilbert in 1904 is a characteristically subtle addition to the original.