The collected soundbites of the Pritzker prize-winners are totally excruciating.
As the 2010 Biennale winds up over in Venice, Kieran Long asks where the old-fashioned troublemaking was in Kazuyo Sejima’s good-taste, tranquilising exhibition.
Walking through the Rolex Learning Centre is like being inside a pinball machine. The building summons you on circuitous routes, propelling you around islands and dropping you into holes.
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