Henryk Tomaszewski's posters make him one of the pre eminent figures of post-war graphic design, says Agata Pyzik
A collection of 1920s film posters displays bold techniques of montage – and a surprising reliance on painting, says Agata Pyzik
Is a life-sized version of Barbie’s house harmless wish-fulfilment or the stuff of nightmares? Agata Pyzik thinks pink …
Agata Pyzik looks at an insider view of the New Romantics and at the role of glamour in an age of austerity.
Patrick Keiller's installation at Tate Britain takes us on a tour of the film-maker's influences but, says Agata Pyzik, we should see it as a call to action rather than casual observation.
Infinite ambition was the strength and the weakness of the Russian constructivists, says Agata Pyzik.