Through a book, ceramic model and top trump cards, this ‘set’ explores the astonishing achievements and costs of Soviet efforts to rehouse an entire country within 30 years, says Owen Hatherley
The yearly architectural celebrity showcase is invariably over-engineered, superficial and aloof, says Owen Hatherley. And now the programme has expanded ...
Owen Hatherley’s latest book examines the 1930s/40s/50s revivalism that has engulfed this country since the financial crisis and delivers a solid kicking to the austerity nostalgia of the left, says Will Wiles
The Cuban capital, as captured by photographer Nigel Young, is a curious slice of classic America spared capitalism’s built-in obsolescence, writes Owen Hatherley
Smith's images lovingly capture a Britain that was soon to disappear, if not the forces that would destroy it, says Owen Hatherley
A study of two grand civic buildings reveals depressing differences between the council that built them and the one that's just refurbished them, writes Owen Hatherley
Levitt Bernstein’s proposal to build a restaurant above the cinema in the grade II-listed Brunswick Centre in Bloomsbury has met with vocal opposition from the residents of the complex, as well as leading architects such as Richard Rogers. Owen Hatherley explains why
A guide to mausoleums shows that you can’t always judge a tomb by the statesman or dictator lying inside, says Owen Hatherley
Owen Hatherley is intrigued by the contradictions in the British architect and town planner Colin Ward's practical anarchism
A factory designed to produce vacuum cleaners challenged the nation's preconceptions about industrial architecture and, in 1980, was the inspiration behind an Elvis Costello song
Charles Holland on why we should remember the brilliant, melancholy critic with unpredictable enthusiasms
A book about socialist buildings is proof that construction need not be exploitative, says Owen Hatherley
Britain’s postwar landscape is illuminated through the stories of the people who planned, built and lived in it, says Steve Parnell
The first English translation of a classic of modernist planning and a recent work on informal structures shed new light on a polarised subject, says Owen Hatherley
The London that rose up in the 1960s and 70s proved inherently cinematic, luring film-makers such as Kubrick and Truffaut to its new offices and housing estates. But their dystopian visions were to create an indelible link in the public imagination between modernism and failure
Two sets of photographs – one by an outsider, another by locals – highlights Luton's sense of loss and abandonment, says Owen Hatherley
The first European retrospective of Kahn’s work in 40 years makes Owen Hatherley wonder about the architect’s place in the pantheon.
Sukhdev Sandhu finds that Owen Hatherley’s Angry Young Man approach to the banality of modern Britain is as bracing as ever.
This summer blockbuster is the largest UK exhibition on the Bauhaus in over 40 years. The exhibition traces the life and work of Bauhaus' students and masters, and introduces an insightful way of looking at the famous school. Here's Owen Hatherley's review.
Pyongyang is a magpie collection of authoritarian forms and styles which draw on influences such as Moscow’s Metro and Haussman’s Paris. Owen Hatherley dips into a collection of essays on and photographs of the North Korean capital’s maniacal monuments.