In the first of a series of talks hosted by the Design Museum, in association with Icon, the London-based designer discusses her approach to “playful placemaking” with Owen Pritchard
Battersea Power Station, derelict for more than 30 years, has been called a graveyard of architectural visions. Christopher Turner visits the practices responsible for some of these fantastical, unrealised schemes – by John Outram, Nicholas Grimshaw, Ron Arad and Terry Farrell – and talks to Wilkinson Eyre about its latest ideas
The Londoner’s passport has been updated for the smartphone era, with a bold graphic treatment that conveys the city’s status as a centre for cutting-edge design.
Using the European standard shapes for warnings, Calvert designed the pictorial instructions for road users, referencing what was familiar to her – a cow for livestock crossing, modelled after Patience, her favourite heifer on the family farm; children crossing the road, inspired by her upbringing and including a subtle self-portrait.When Calvert began her career, graphic design didn’t exist as a profession. Six decades later, her work is all around us – from the signs on Britain’s roads to the website for the UK government
Whether they are fitting out a Savile Row shop or adapting a grade I-listed house, London duo 6a Architects take a radical approach to history and conservation, cherry-picking elements of the past to weave into new narratives
During London Design Festival, 100% design welcomed more than 27,000 visitors over four days at Earls Court in London, and this year expanded into both exhibition halls. Here are three of Icon’s highlights from the show.
The contradictions that run through the Royal Academy’s retrospective sum up the architect perfectly, says Charles Holland.