Icon 172: London design special with Camille Walala, Form & Seek, Dean Brown, Max Frommeld, creative Brexit 29.08.17

We present some of the highlights of the upcoming London Design Festival, and consider whether the British capital can hold on to its creative community after Brexit

Five years ago, the New York Times declared London to be the world’s creative capital. It was a particularly giddy time for the city. The Olympics, predicted in some quarters to be a trumpeting white elephant, proved a runaway success. Thomas Heatherwick carried a literal and figurative torch for the power of British design – the defining moment of an imaginative opening ceremony. Much has changed since then. Heatherwick’s golden sheen is now tarnished by the Garden Bridge saga, and the much-touted regeneration of east London has become synonymous with underlying cost-of-living issues. Eulogies hailing the creative panacea were replaced by a slew of articles entitled, ‘Why I am leaving London’. If all this didn’t quite add up to an exodus, there was at least a trickle of talent that packed up and headed to Birmingham, Lisbon or Berlin. And then, looming on the horizon like the Flying Dutchman – crewed by not-so-able seamen Farage, Gove and Johnson – came Brexit. In truth, no one I knew thought we would follow these geniuses out of the EU. But then, like 16 million others, I hail from a metropolitan elite. How could I possibility understand the mood of the people?

After it happened, no one in the creative sector had a clue what to do. But then what could they do? Sulk, as architect David Chipperfield admits to doing in our interview this month, and then, in an impeccably British way, opting to write a letter. Some European designers, former Icon cover star Marjan van Aubel among them, left immediately after the triggering of Article 50. London can be a hard place to live, but until June 2016 it could rightfully claim to be a truly global city. Remove that advantage and the case to stay is harder to make.

The upcoming London Design Festival will see the city once more present its creative credentials to the world. The early signs are that this year’s show will be a good one but, just as before, the event will showcase talent from a host of nationalities – Flynn Talbot, Camille Walala (who designed our cover this month) and Julian Melchiorri among them – all of whom have chosen the city as their home. Will they still be here post 2019? I certainly hope so. 

 

Words

James McLachlan

 

Cover artwork

Camille Walala

 

Archigraphics architecture

INSIDE THIS ISSUE

FRONT

Scene Design’s news cycle shows no signs of slowing down

LDF preview Max Fraser, 100% Design, Benjamin Hubert and more

Diary When a (wo)man is tired of LDF, here are the alternatives

Crimes against design Edwin Heathcote: to hell with the hotel baggage cart

Opinion: Chairs Do we need more of them? Yes, says Vicky Richardson

DESIGN

Form and Seek A young collective trading in experimental, Dutch-inspired design

Creative Brexit What will the UK’s impending international isolation mean for the capital's design scene?

Dean Brown The Scottish designer fuses low-key materials with beguiling narratives

Shaping colour Photography by Lonneke van der Palen investigates colour in all its shapes and shades

Emerging studio The unpredictable, multifaceted design practice of Max Frommeld

Icon of the month Humanscale is not just a brilliant ergonomics tool, but a design classic in itself

Camille Walala The premier exponent of neo-Memphis on her increasingly global ventures

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ARCHITECTURE

Rothschild Tower Tel Aviv’s White City gets a fitting addition from the monochrome master Meier

Archigraphics A new kind of digital drawing replaces the photorealistic render

Float your Botín Renzo Piano’s new art museum in Santander

Political transparency Glass buildings don’t create crystal-clear politics, argues Crystal Bennes

Architecture of disaster With Grenfell Tower, we are faced with a monument to loss and destruction

Icon of the month Modern Buildings in London: Ian Nairn before tipping point

Q&A: David Chipperfield On the diverging realities of working in Britain and abroad

REVIEW

Review: Plywood The V&A’s over-ambitious show could use a little focus

Review: Radical Technologies This tale of gloom, doom and the internet of things rather overstates its case

Review: Franco Grignani The scientific mind of the graphic designer who pre-empted Op Art

Rethink: Ice cream Regular Practice shows off its brand new ice-cream design

Obsession: Paperclips The surprisingly varied means to organise your files – but please don't mention ‘Clippy' 

   
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