Icon 166: The city issue 27.02.17

In our latest issue, Santiago Calatrava unveils plans for a major new development in London, while Tom Dyckhoff asks if cash has killed the city

After a couple of false starts, Santiago Calatrava has finally arrived in London. The Spanish architect – a purveyor of spectacular architectural setpieces the world over – enjoys a mixed reputation. Calatrava’s skeletal structures are eye-catching, certainly, but as far as budgets are concerned, they are a little more wayward. His ‘upturned milking stool’ (pictured below), as our writer describes it, is soon to rise from the no man’s land of the Greenwich peninsula with a tentative £1bn price tag, but, given Calatrava’s track record, there has to be an element of educated guesswork afoot by Hong Kong developer Knight Dragon.

Still, developers court his office because he can deliver something out of the ordinary. If you want thrifty (and safe), hire someone else. Amid the criticism that welcomed his arrival, it is worth bearing in mind that overspends are not the domain of Calatrava exclusively. The late Zaha Hadid was no stranger to testing the elasticity of a budget. Even that model of Swiss precision Herzog and de Meuron is not immune from controversy: the practice’s Elbphilharmonie was reported as overspending by £700m. If you want a starchitect, then you have to make peace with the fact that the bottom line is subject to change.

For his part, Calatrava has expressed utmost confidence that the milking stool will not stray from the current parameters. But should we even care? This is not public money, after all. And the other end of the spectrum is far grimmer. Many architects slug it out in the sad arena of design-and-build contracts. Without getting bogged down in the intricacies of construction contracts, this essentially means that the contractor rather than the developer employs the architect. And sometimes contractors and architects have different ideas about what makes a successful building. Time and again, good architects watch in despair as, bit by bit, their ideas are pulled apart by cost-cutters who put profits before quality. When you consider this, it is strangely heartening that there remains one section of the profession that still has the power to push back.

In this issue, we also speak to those whose influence on the urban condition is more temperate. Entrepreneur Rohan Silva has had great success with his Second Home concept in Shoreditch, and spoke to us about its latest iteration, this time in Lisbon. We discover how China is turning its back on the megamall in favour of urban retail that embraces public space. And finally, Tom Dyckhoff looks back to a moment when the 1970s post-industrial malaise nearly killed our cities off for good.

 

Words

James McLachlan

 

SUBSCRIBE TO ICON OR BUY THE ISSUE

quotes story

Time and again, good architects watch in despair as, bit by bit, their ideas are pulled apart by cost-cutters who put profits before quality

Leader

IN THIS ISSUE

FRONT

Scene Last month’s most interesting stories, succinctly summed up

Diary Salone del Mobile and more: things to see and do in April

New products From cheesegraters to plant pots, the best new releases chosen by Icon’s editors

Crimes against design Roof gardens are a useless knick-knack and a distraction from the lack of public space

Opinion Tech companies should take up elderly care in exchange for personal data

design

DESIGN

Design everything Italian studio Zaven tackles graphics, furniture design, wayfinding and scenography

BFF-bots Welcome our new robot overlords, and remember, they just want to be your friend

Emerging studio Helsinki-based Elina Ulvio merges artful sensibilities with architectural precision

Design Shanghai China’s most exciting design event showcases international and homegrown talent

Lighting Orsa by Foster + Partners is a meticulously crafted new pendant light for Artemide

Icon of the month Dazzle ships: camouflage print that refused to blend in

Q&A: Maarten Baas Dutch designer follows his intuition, confuses his audience and bends the rules

architecture

ARCHITECTURE

Cities Santiago Calatrava The controversial landmark-maker finally gets a big break in London

Cities Music box Allied Works’ National Music Centre in Calgary is built as a finely-tuned instrument

Cities Are they dead? And have we killed them, with cash, writes Tom Dyckhoff

Cities Shopping out China’s newest malls venture outdoors in a bid to create more inclusive urban spaces

Icon of the month Saarinen’s John Deere HQ is a modernist gem loved by Midwest farmers

Q&A: Rohan Silva As Second Home expands to Lisbon, Icon catches up with the workplace wunderkind

REVIEW

Review: Robots – 500 years in the making Robots might not replace us just yet, but they increasingly question our humanity

Review: The World’s Most Extraordinary Homes Architectural eye-candy is a poor substitute for intellectual rigour

Rethink: Bayern Munich Bureau Mirko Borsche creates a more joyful jersey for its hometown’s football club

Obsession: Watchmen When reluctant superheroes amounted to more than just gratuitous collateral damage

   

Leave a comment

Click to show