There was far more to the late British artist's work than a brash pop art sensibility, Fatema Ahmed discovers
Henryk Tomaszewski's posters make him one of the pre eminent figures of post-war graphic design, says Agata Pyzik
A television series and an exhibition celebrates the iconoclasts who are now the Establishment, says Owen Pritchard
Isabel Stevens finds humour, fear and melancholy among the rubble as Tate Britain explores our abiding obsession with decay
A collection of 1920s film posters displays bold techniques of montage – and a surprising reliance on painting, says Agata Pyzik
An exhibition of the conceptual artist’s early, design-influenced work includes some surprisingly appealing objects, says Fatema Ahmed
Jeremy Deller explores the legacy of the Industrial Revolution through original works, folk art, popular ballads and 1970s wrestling, but stops short of lamenting a lost world, says Zakia Uddin
The fantastical maps of Max Gill reveal why the artist was once as well known as his now more famous elder brother, says Isabel Stevens
It’s striking how few of the London fashion scene’s enfants terribles are still household names today, says Fatema Ahmed
Mankind’s ingenious activity in Earth’s most extreme environment captures the spirit of the space race, says Douglas Murphy.
Sukhdev Sandhu welcomes MoMA's first exhibition of sound art, but finds that the genre rings hollow when stripped of context
Charlie Warde's exhibition in Ernö Goldfinger's home both celebrates and also challenges the architect's vision, says Hazel Tsoi-Wiles
After years of staying out of its clients’ spotlight, PearsonLloyd’s recent exhibition at Great Western Studios gave its founders a chance to reflect on their body of work.
The contradictions that run through the Royal Academy’s retrospective sum up the architect perfectly, says Charles Holland.
Lyra Kilston picks over the fascinating relics of an era of LA art and architecture when nobody quite knew which was which
Graphic designers and artists illustrate a fictional text off the page and in the museum. Hannah Gregory wanders around the story