Swiss architecture studio Herzog & de Meuron has become well known for its daring approach to architecture. Here are five of the firm's most recogniseable buildings

Over a decade after designing the Tate Modern, Herzog & de Meruon completed the Blavantnik Building – a brick extension that doubles the museum's exhibition space

As the Tate Modern prepares a wide-ranging retrospective of Andy Warhol, Joe Lloyd explores the Pop pioneer’s influence on design culture.

At once traditional and avant-garde, the Swiss architects Herzog & de Meuron are difficult to define, and are certainly not shy of controversial work

Art, architecture and engineering merged to create a minimal “ribbon of steel” that bridges the two banks of the Thames by London’s St Paul’s Cathedral

He began his career by destroying pianos with John Cage before becoming a pioneer of video art. Nam June Paik's work was often absurd, but always technologically inquisitive

Olafur Eliasson: In Real Life runs from 11 July 2019

You can touch the art at this major exhibition of Franz West's playful, colourful, iconic sculptures

Tate Modern, London
12 July — 22 October 2017

Tate Modern, London
15 February 2017 — 11 June 2017

In our latest issue, we interview celebrated architect David Adjaye as he unveils his monumental National Museum of African American History and Culture in Washington DC

As Tate Modern’s Switch House extension opens in London, we visit the monumental Herzog & de Meuron building and interview the gallery’s director Nicholas Serota

Douglas Murphy asks what this year’s line-up for the prestigious award says about the state of British architecture

Herzog & de Meuron’s extension to the London contemporary art gallery opens this week – view images of the building here and follow us on social media today for coverage from inside

Jacques Herzog talks to Icon about Herzog & de Meuron's Tate Modern extension, opening on 17 June, and its Blavatnik School of Government in Oxford

Guggenheim, New York
26 June – 12 October 2015

An exhibition at Tate Modern reveals the horrors of war through its impact on the built and natural environment and objects, rather than on people

Tate Modern's retrospective captures the exuberance of an artist too busy running his own revolution to be tied down by party doctrine, finds Agata Pyzik