Despite its gold cladding, the Rem Koolhaas's latest building in Milan is no temple of ostentatious wealth, says Andrew Ayers. With its galleries housed around a converted distillery, it marks a deliberate shift for OMA away from huge statement buildings towards the preservation of existing spaces and “collisions” between old and new
In the mid 1970s, the artist Donald Judd moved from New York to Marfa and remodelled the remote Texas town according to his minimalist aesthetic. We visit the art oasis that has influenced and inspired a new generation of architects and designers.
Artists Elmgreen & Dragset are turning Sverre Fehn's 1962 Nordic Pavilion in Venice into a bachelor pad for their Venice Biennale exhibition The Collectors.