Sukhdev Sandhu welcomes MoMA's first exhibition of sound art, but finds that the genre rings hollow when stripped of context
Charlie Warde's exhibition in Ernö Goldfinger's home both celebrates and also challenges the architect's vision, says Hazel Tsoi-Wiles
After years of staying out of its clients’ spotlight, PearsonLloyd’s recent exhibition at Great Western Studios gave its founders a chance to reflect on their body of work.
The contradictions that run through the Royal Academy’s retrospective sum up the architect perfectly, says Charles Holland.
Lyra Kilston picks over the fascinating relics of an era of LA art and architecture when nobody quite knew which was which
Graphic designers and artists illustrate a fictional text off the page and in the museum. Hannah Gregory wanders around the story
AWP's exhibition shows how the hours of darkness have become an urban space in their own right. Most illuminating, says Sam Jacob
The organisation's visual archive raises intriguing questions about the line between social study and snooping, says Isabel Stevens
MoMA presents a compelling case, says Claire Barliant, for seeing Le Corbusier as a lover, not a conqueror of nature
The painstaking, at times obsessive, work of self-taught artists and inventors presents a poignant vision of the future says Will Wiles
Elisabeth Blanchet offers a poignant study of the emergency homes that became part of the suburban British landscape, says Owen Pritchard
Icon asked a dozen experts and practitioners to nominate the people they think are, in some way, shaping the future. The resulting list of global talent is a snapshot that shows how young designers and architects are pushing the boundaries of their disciplines and trying to change the world
Glenn Adamson's latest book about craft may win over even the staunchest of crafts-haters, says craft-sceptic Edwin Heathcote
Italian collective Breaking the Mould’s collaboration with Salviati, and the resulting exhibition at London’s Aram Gallery, is a bid to revive the fortunes of glass.
Two sets of photographs – one by an outsider, another by locals – highlights Luton's sense of loss and abandonment, says Owen Hatherley
The first European retrospective of Kahn’s work in 40 years makes Owen Hatherley wonder about the architect’s place in the pantheon.
The Barbican's exhibition devoted to Britain's national fantasy figure and his secret service toys invited us to think of James Bond as a kind of design object. As the new Bond film opens, here's Will Wiles on "the drone strike in a dinner jacket".
The Musée du Quai Branly has cast contemporary artists as modern-day shamans working with the forces of disorder. But by displaying artworks next to artefacts from every continent and period of history, the show raises complicated questions about art and ethnography.