Douglas Murphy asks what this year’s line-up for the prestigious award says about the state of British architecture
Our new issue (out on 4 June) celebrates the arrival of summer, with FAT and Grayson Perry’s House for Essex, Ooze Architects’ King’s Cross swimming pond, the surprising modernist history of Center Parcs and Bruno Drummond’s Cedric Price-inspired photo essay
Featured in our upcoming Leisure issue, the artist’s flamboyant structure in Essex, completed this month, was inspired by the stacked forms of Norwegian stave churches
This year’s British Pavilion was FAT’s final project. Here, founding director Sam Jacob recalls how the practice trawled archives and attics to piece together the history of British modernism, and attempt to reclaim it for the present day
A Clockwork Jerusalem, our installation at the Venice Biennale, presents an alternative history of British modernism that could lead to a reassessment of how we approach architecture today, says the British Council's director of architecture
What were the cultural highlights of 2011? Icon asks nine international critics, curators and experts to select their half-dozen stand-out moments in architecture, design and art.
FAT has created a little drama at this television production centre in Cardiff with an ornate facade that echoes the fantastical worlds within.
Lego has a series of models reproducing “classic” works of architecture: Fallingwater, the Empire State Building and so on. But the fun of the toy is that you can make anything you like. So what happens when you give these models to some leading British architects to remake?
The design festival made quite an impression (literally, in the case of Lulu Guinness’s Pin Art Machine) in this, its second year, with more than 150 events, an impressive array of exhibitors and a Victorian prison teeming with emerging designers.
Is it just us or is the young architect a very different beast these days? For the first time, “young” actually means young, but “architect” may no longer mean architect. This is our list of the most significant rising practices. Like all list stories, you’ll disagree with some of it, but that’s half the fun.
More chip shop than office, the new London base of Dutch communications agency KesselsKramer, designed by FAT, is decorated with white tiles and steel counters.
Fat-cat designers draining limited-edition buckets of Cristal and swinging from Swarovski chandeliers at the Gdansk Biennial... where did it all go wrong?
FAT has designed a restaurant at Heal’s on London’s Tottenham Court Road. Called Meals, the Oliver Peyton-run restaurant, on the first floor of the furniture store, is an ironic woodland fantasy.