At the end of the 1970s, when New York’s Museum of Modern Art mounted a retrospective of the decade’s architecture, it chose John Portman’s Renaissance Center in Detroit for the catalogue cover.
We asked designers Sam Hecht and Kim Colin – Industrial Facility – to delve into their collection of cheap things. In the latest in the series, they (carefully) pull out a combination of two dangerous tools.
This year’s Serpentine Gallery Pavilion, by French architect Jean Nouvel, was unveiled yesterday in London’s Hyde Park.
Yves Béhar’s Fuseproject had designed glasses for the Mexican charity See Better To Learn Better. It will help a whole generation of children to get better grades in school.
It’s all "me me me" at the Guggenheim, as the museum asks artists and architects how they might fill the emptiness in its heart. Mimi Zeiger takes a look.