Friday, 17 February 2017 00:35

MoMA exhibition review: How Should We Live?

Women designers have been all but written out of the history of modernism, but now an ambitious show at MoMA aims to set the record straight. Claire Barliant finds out if it succeeds

Published in Review
Wednesday, 14 May 2014 16:37

The New School by SOM

The University Center brings together seven New York colleges on one site, but in doing so separates its students from the surrounding city

Published in News
Thursday, 05 September 2013 14:17

St Louis Art Museum by David Chipperfield

David Chipperfield’s extension to an art museum designed by Cass Gilbert in 1904 is a characteristically subtle addition to the original.

Published in News
Sunday, 01 September 2013 01:00

Le Corbusier: An Atlas of Modern Landscapes

MoMA presents a compelling case, says Claire Barliant, for seeing Le Corbusier as a lover, not a conqueror of nature

Published in Review
Tuesday, 02 July 2013 11:23

Collectors: David Rockwell

The fragmentary patterns created by kaleidoscopes have long enchanted the New York architect and helped to add a sense of the spectacular to many of his biggest projects.

Published in Features
Monday, 29 October 2012 09:44

Skyspaces by James Turrell

The Californian artist’s work has long questioned how we perceive colour and light, and now he’s doing the same with sound and space.

Published in News

Oscar Niemeyer's International Fair in Tripoli, northern Lebanon, was intended as the foundation of a new city quarter, but civil war intervened and it was never finished. Half a century on, its mysterious geometric forms stand like a modernist Shangri-La

Published in Features
Wednesday, 10 August 2011 14:55

Profile: Dan Graham

Dan Graham has built more than 50 mirrored pavilions around the world. The culturally omnivorous artist and critic talks us through these ethereal, disorientating objects, which have influenced architects from SANAA to Herzog & de Meuron.

Published in Features
Monday, 08 August 2011 14:57

Profile: Mary Mattingly

The nomads in Mary Mattingly’s post-apocalyptic landscapes carry their homes on their backs. The artist is now putting her high-tech designs into production.

Published in Features