This weekend, Frieze London, the capital’s mammoth contemporary art fair, returned for its 2018 installment. For the 160 galleries in attendance, there was relief that the looming sight of Brexit did not appear to have stalled sales.
New instalation in Snarkitecture challenges the perception of visual art and architecture as distinctive forces.
Edwin Heathcote, Oliver Wainwright, Catherine Slessor and David Lane will be among those speaking at a series of events in February and March
Peter Smisek enjoyed relinquishing control during an artistic dining experience. But is there anything that architects and designers can learn from this?
An installation by Jorge Otero-Pailos is Westminster’s catharsis amid Britain’s current political uncertainty, says Vishanka Gandhi
Herzog & de Meuron’s extension to the London contemporary art gallery opens this week – view images of the building here and follow us on social media today for coverage from inside
Now open to the public, architect Konstantin Melnikov’s Moscow home was at the heart of a bitter ownership dispute that pitted its use as a residence against its value as a cultural artefact, says Charles Holland
Architecture’s frenzied courtship of art has finally been reciprocated, but John Jervis argues that this relationship may already have done more harm than good
These days, there’s more to public art than afflicting parks with random chunks of steel. But even good examples often seem to infuriate more than they inspire, says the novelist and artist
Rem Koolhaas mixes preservation and provocation in Moscow, turning a Soviet-era workers’ canteen into a contemporary art space, says Edwin Heathcote
The worlds of art and architecture exist in a constant state of mutual jealousy. As the Turner prize exhibition opens, we consider whether the nomination of architectural collective Assemble for this year’s award is likely to bring them any closer together
From lightbulbs and chairs to flags and bedclothes, this show traces artists’ engagement with everyday objects that might have been disregarded, says Laura McLean-Ferris
Despite its gold cladding, the Rem Koolhaas's latest building in Milan is no temple of ostentatious wealth, says Andrew Ayers. With its galleries housed around a converted distillery, it marks a deliberate shift for OMA away from huge statement buildings towards the preservation of existing spaces and “collisions” between old and new
The artist has been given the run of Chatsworth House and its 18th-century collections for two shows exploring the use of ornament as power. John Jervis met him at his home in Kent