Before the completion of Herzog & de Meuron’s Tate Modern extension, the gallery has opened up a series of underground oil tanks to host performance art.
A retrospective of the artist’s work highlights the tension between the agony of loss and the futility of marking it, says Charles Holland.
Owen Hatherley revels in the pomp, but misses the politics, of a very English movement.
This month, the vorticists are set to dazzle at Tate Britain, Design Miami/Basel kicks off in Switzerland and MOMA exports its Young Architects Programme to Italy.
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