|Vitra, Hella Jongerius
A tiny fluorescent notch attracts us to Hella Jongerius’ Rotterdam Chair. But far from decorative, the notch fills a cut in the plywood seat that stops the chair from splitting during the moulding process – when the seat is bent in several different directions simultaneously. The back and rear legs are solid wood, and the gliders are fluorescent, but the chair has a simple aesthetic despite the curious patchwork of materials.
|Classicon, Konstantin Grcic
It might look as clean and simple as a Helvetica “e”, but as with most of Grcic’s work, there is a complicated story to his two-piece Kanu chair. Due to the number of bends and contours inflicted on the plywood – needed to make the chair as comfortable as it is – two moulds were made; one for the seat, and one for the semi-circular back.
|Cappellini, Adam Goodrum
Cappellini had a better show this year than the last two, presenting new pieces by Nendo, Barber Osgerby and Stephen Burks. Our favourite piece was by Sydney-based designer Adam Goodrum – obscure on this side of the world but known in Australia for a mass-produced peg. The technicolour Stitch chair is made of hinged aluminium, and folds down to a flat sheet. We love the zebra-like hinges.
|More chairs tomorrow...|