Sukhdev Sandhu visits the first museum exhibition by Metahaven, the studio that branded Wikileaks.

Fifty years separated the Brazilian artist’s two series of abstract photographs, but Isabel Stevens finds them both equally startling.

Alice Rawsthorn’s survey of design provides a general audience with a much-needed guide to a sprawling discipline, says Aileen Kwun.

The Hayward Gallery’s show about artificial light in art features some rare, sometimes thrilling installations, but also some misses, says Laura McLean-Ferris.

Agata Pyzik looks at an insider view of the New Romantics and at the role of glamour in an age of austerity.

A collection of essays and film scripts by the critic, novelist and documentary maker leads Charles Holland to test the truth of the saying, “the style is the man”.

The Hungarian architect Stefan Sebök worked with legends of the Bauhaus and of Soviet constructivism. A new book reveals more about his work but, as Edwin Heathcote discovers, Sebök himself remains elusive.

In his new book, the R&B renaissance man invites us into his world – along with Zaha Hadid, Anna Wintour and Buzz Aldrin. It’s a hard offer to turn down.

A macabre display of famous film costumes at the V&A is underpinned by a surprising amount of scholarship, says Fatema Ahmed.

The first European retrospective of Kahn’s work in 40 years makes Owen Hatherley wonder about the architect’s place in the pantheon.